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An Innocent Young Throat-Cutter / Forced Orgasm / ...Massacre / Naked Girl Killed In The Park
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Urashima 012 Lp |
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| Side A | |||
An Innocent Young Throat-Cutter - La Ragazza Che Sapeva Troppo [08:58] |
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| Forced Orgasm - Cat O' Nine Tails [09:00 ] | |||
Side B |
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| ...Massacre - Vacanze Per Un Massacro [08:05 ] | |||
| Naked Girl Killed In The Park - Mystère (High Class Murder) [08:40 ] | |||
Out now 4-way split Lp titled GIALLO that involved some of the most well know Harsh Noise Wall projects devoted to ‘'razors and knifes'': An Innocent Young Throat-Cutter, Forced Orgasm, …Massacre and Naked Girl Killed In The Park. Each artist has contributed with a track for the second audio document in a series of six. LP comes in a deluxe black silkscreen on yellow cardboard sleeve, limited to 100 hand numbered copies w/yellow cardboard insert and photo. The yellow cardboard sleeve reminds the yellow cover of Giallo books published in the 70's, while the yellow cardboard insert refers to the yellow on the back cover of Giallo books published in the 30's.The photo is a tribute to one of the greatest Italian directors (on photo paper 10x15) . |
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The Wall painted in Giallo In Italy, in the sixties, comes a film genre that blends thriller atmosphere and themes of horror, which does not preclude drifts splatter or slasher, simply called ‘'Giallo''. The term, which in English means yellow, comes from a series of paperback novels by British and Americans writers of mystery and terror translated into Italian, with a yellow background covers published since 1929. Examples of cinema ‘'del terrorre'' that until the early sixties filled the movie theaters were steeped in Gothic scenery, creating, among the events that took place on the screen and the viewer, an identification with characters, so divorced from society and contemporary trends. The Giallo creates a new way to represent the fear: it is powered by apparently normal individuals, common-looking people and integrated into society, but deformed in them, sick and deviant minds. In the multitude of extreme musical genres that identified the name of HNW, is linked to content and inclination to the trend of Giallo. As for the murderer, who appears regularly with black raincoat, hat and gloves, often brandishing a razor, the creativity of the artist HNW is hidden behind a wall of noise apparently always the same. Situated at the back of an impenetrable layer of sounds are hidden perversions, violence, depravity and vice often accompanied by passion for knives and torture. The artist conceives the isolation of the individual in the metropolitan context with a ‘'sounds barrier'' creating tension, uneasiness and fear. Are the same feelings you feel for the victims (usually young women) and the murderer in the context of the film. The individual (victim, executioner or just spectator) is no longer the man, but the citizen who fails to fit into society generating anxiety and depression which in extreme cases leads him to madness. Therefore a combination between Giallo and the artists who create HNW have more than one point in common and often the music projects, records and tracks named like Giallo films, which in addition to the original title in Italian, always have one or more versions of the title in English. |
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